Possessor: LFF Film Review


I had heard so much about Brandon Cronenberg‘s second feature Possessor that I figured it was worthwhile paying for a public LFF ticket to see it – and while I can appreciate many things about it, it wasn’t my cup of tea.

The film stars Andrea Riseborough as Tasya Vos, who is a possessor, a contract killer whose consciousness is implanted into another person’s body in order to carry out the assassination. Her boss Girder (Jennifer Jason Leigh) gives her her next job – she is to inhabit the body of Colin Tate (Christopher Abbott), who is dating Ava Parse (Tuppence Middleton), the daughter of John (Sean Bean), the head of a huge corporation, for which Colin works. However, Colin cannot be as easily controlled as some of her previous subjects.

Possessor is an incredibly unique film that will stick with you for hours afterwards. Cronenberg has come up with an effing cool idea and it was exciting watching it play out in all its intense, gruesome glory. This film is not for the faint-hearted – it is extremely graphic and violent, there’s plenty of nudity, and some body horror that truly grossed me out. There are also some weird and experimental visual flourishes to help illustrate some of the innner control struggles.

I also loved the initial set-up of the story and the introduction to Tasya and her dual lives – in the real world with her estranged husband Michael (Rossif Sutherland) and their son and this possessor world; the final scene of the movie; and the superb performances from Riseborough and Abbott, with Abbott particularly excelling in the latter half of his story.

However, there is a portion of the film that totally lost me. I didn’t truly understand what was going on and it felt quite chaotic and muddled as it made its approach to the climax. While I loved the closing scene and thought it was a great way to bookmark the story, I was left wanting more answers and some explanation of what the heck just happened. I would have also loved some more backstory about Tasya and the organisation she works for.

I liked Possessor and I certainly appreciate the imagination, the performances, and the cool concept, but I’m just not a big fan of body horror and the ambiguity of not knowing what’s real and what’s not. The story stopped being clear to me as it neared the end and that negated its impact somewhat.

Seen at part of the London Film Festival. In cinemas 27th November

Rating: 3.5 out of 5.

Ammonite: LFF Film Review


Ammonite received rave reviews following its premiere in Toronto so I had seriously high expectations for it – but I must admit I was underwhelmed by the whole thing.

Francis Lee‘s second feature stars Kate Winslet as Mary Anning, the real-life self-taught palaeontologist and fossil collector who lived in Lyme Regis in Dorset, England. The story is set in the 1840s when her days of famous discoveries are over and she sells the fossils she collects in a shop to get by. Geologist Roderick Murchison (James McArdle), a big fan, visits the area with his wife Charlotte (Saoirse Ronan) and pays Mary to let him join her on her coastal explorations. When he is called away, he asks Mary to look after Charlotte, who is grieving from a personal tragedy, and romance blossoms between the two very different women.

It goes without saying that the performances in Ammonite are amazing. Winslet and Ronan have multiple Oscar nominations (and a win for Winslet) to prove their talent so I assumed they would turn in impressive performances and they certainly didn’t disappoint. And it should also be noted that Fiona Shaw stands out Mary’s ex Elizabeth Philpot.

However, I didn’t buy their attraction or love for one another. Sure, the explicit sex scenes are passionate, but there is little passion elsewhere. I didn’t believe in their story and I wasn’t invested in it. I had no emotional connection to it and so it never moved me, which is clearly what the film is hoping to achieve. And that’s not the actresses’ fault – the story and the writing is weak and doesn’t earn this romance or make it convincing. Also, the film is very slow, felt longer than it was, it’s rather quiet as neither of them are particularly talkative, and also very dim as it’s trying to look candlelit.

My biggest issue with the story will be no surprise as it has already caused controversy already – why take a remarkable historical figure and make her the subject of a fictional lesbian romance? I didn’t know anything about Anning before Ammonite so I’m glad it brought her to my attention but I actually would have preferred to learn more about her, her discoveries, and contributions to science and palaeontology in a standard biopic than watch these imagined romance plot. It doesn’t go into much detail about her work and totally glosses over the work of Murchison and Philpot. Lee should have created a fictional character inspired by Anning. This route makes no sense to me.

I had high expectations from Lee because of his work on the powerful and moving God’s Own Country but sadly, Ammonite just didn’t do anything for me, despite its terrific lead performances.

Seen as part of the London Film Festival. No general release date as yet.

Rating: 3 out of 5.

What I’m excited to see at the 2019 London Film Festival

The 2019 London Film Festival kicks off today! To celebrate, I’ve compiled a list of the movies that I’m really excited to see this year.

[Read more…]

What I saw at the 2018 London Film Festival

Usually at the end of the London Film Festival, I create a top ten list highlighting my favourites. I’m not going to do that this year, simply because I only managed to watch a lame 16 films (very poor show!) and because I don’t really know what I would put top!

[Read more…]

The Guilty: LFF Film Review

If you want a taut thriller that’s short, intense and whips along at a pace then The Guilty, from Denmark, is for you.

[Read more…]

The Sisters Brothers: LFF Film Review

I missed the press screening of The Sisters Brothers at the Venice Film Festival and I was gutted because it has the most incredible cast – which includes Joaquin Phoenix, John C. Reilly, Riz Ahmed and Jake Gyllenhaal – so I dropped lucky when I managed to snag a ticket to a public LFF screening.

[Read more…]

Destroyer: LFF Film Review

Everyone is talking about Nicole Kidman‘s transformation in Destroyer and there is a reason for that – it is jaw-droppingly incredible and she looks almost unrecognisable, and her performance is top notch too.

[Read more…]

A Private War: LFF Film Review

I became aware of how incredible Rosamund Pike was when she starred in Gone Girl. I really wanted her to win the Oscar for it but she didn’t and I would really like her to be in the race again with A Private War.

[Read more…]

Vox Lux: LFF Film Review

Natalie Portman knows how to give a good performance – she has the Best Actress Oscar to prove it after all – and she doesn’t disappoint in Vox Lux, a last-minute addition to the LFF programme.

[Read more…]

Rafiki: LFF Film Review

I am guilty of only attending screenings for big name, hyped, star-studded movies at LFF, so I decided to change that and see Rafiki, a moving LGBT story set in Kenya.

[Read more…]