The Last Duel: Film Review

Courtesy of 20th Century Studios

I’m not a massive fan of medieval films so I was unsure if The Last Duel would float my boat – but I needn’t have worried because the story and performances are so good and Ridley Scott is on top form.

The film, based on true events, is set in 1368 and depicts the last legally sanctioned duel in France, a battle between knight Jean de Carrouges (Matt Damon) and squire Jacques Le Gris (Adam Driver) after de Carrouges’ wife Marguerite (Jodie Comer) accused Le Gris of rape.

The film is divided into three chapters with the heading “the truth according to…” and begins with de Carrouges, before moving onto Le Gris and finishing up with Marguerite, with them each giving their perspective on the same story. This brilliant narrative device made the movie all the more fascinating and I got more invested as it went along. It was interesting seeing the different viewpoints and how each person perceived a particular event, decision or interaction. I feared this technique would cause a lot of repetition and we’d see the same scenes three times but that doesn’t happen much and when it does, the dialogue, action or intention within the scene were always different enough to make them compelling.

I wasn’t sold on the film in the first chapter. It took me a while to get into it because of the medieval setting and de Carrouges being a cold, callous and proud man who is angry at losing the land he was promised and the captaincy of his castle in Belleme to his friend Le Gris. The story gets more promising in the second chapter. Le Gris is a womanising rogue and close pals with Count Pierre (Ben Affleck), who has a wicked sense of humour, so the chapter was more light-hearted and comedic and also more intriguing as it added a new layer of perspective onto what we’d seen previously. The final act is where it really excels and Scott knocks it out of the park – and this is where we see the rape from Marguerite’s perspective (it’s a hard watch) and culminates with the gripping titular duel.

It takes more than two hours to reach the duel but it’s worth the wait. It is brutal, gripping, thrilling and seriously violent, the action is well-executed and cleanly shot and I genuinely cared about the outcome – my heart was pounding watching de Carrouges and Le Gris battle to the death. Major edge-of-your-seat stuff.

Although the duel will be the main draw for many, I think the handling of Marguerite’s rape allegation is also very important. The film may be set in the 1380s but the reaction to such a claim and the way accusers are treated is basically still the same today – she’s not believed, she’s asked if she could have provoked her attacker somehow and why she didn’t run away, and made to feel shame in court thanks to a barrage of deeply personal questions and accusations.

All the cast deliver excellent performances but Comer is the star of the show and the most captivating presence. Marguerite is the heart of the piece and the key to the story and even though she has less screentime than the others, she is the only one I emotionally connected to. Her performance in the rape scene is subtle but nothing short of heartbreaking.

What’s remarkable is that each actor had to play their character slightly differently in each chapter as the perspective of them changes. For example, Damon (complete with mullet and goatee) seemed angrier and more bitter in the other chapters than his own, Driver came across as more of a joker and a ladies man in his chapter and Comer has to play Marguerite as more seductive and flirtatious in Le Gris’ section. Nobody attempts a French accent which is an odd choice given the setting but this was probably for the best.

The Last Duel starts like your average historical drama and I didn’t have high hopes but it levelled up with each chapter and I came away thinking it was bloody fantastic.

In cinemas from Friday 15th October

Rating: 4.5 out of 5.

Free Guy: Film Review

Free Guy

20th Century Studios

Free Guy is one of the movies I’d been most excited about this year and while I enjoyed it a lot, I must admit it was nowhere near as amazing as I’d expected it to be.

Ryan Reynolds stars as Guy, a bank teller who is a non-player character (NPC) in the video game Free City, which is basically like Grand Theft Auto, with muggings, shootings, car chases and bank robberies occurring on the reg. One day, Guy somehow breaks free from his programming and takes on a life of his own when he meets Molotov Girl (Jodie Comer). She is the avatar of Millie, who is trying to find proof that Free City’s creator Antwan (Taika Waititi) stole her and Keys’ (Joe Keery) AI tech to make his game. Guy, who thinks she’s the love of his life, joins her mission.

First of all, I absolutely adore the original concept of Free Guy – thinking of these games from the perspective of a background character is genius! – and I was hyped to see how it would play out. It is very funny and I laughed out loud often, but still not as much as I’d hoped. The jokes don’t always land and I think Reynolds’ shtick is getting a bit old. I particularly enjoyed the beginning, where we are introduced to Guy, his world and his routine, and the final act, where director Shawn Levy makes use of Disney’s wealth of IP to glorious clap-worthy effect.

Reynolds is clearly having a lot of fun as Guy but there are also limits to what he can do within the constraints of his naive and always chipper character. Even though Reynolds is a fantastic Deadpool, I wish he would stop playing Deadpool when he’s supposed to be other characters or at least tries to be a little more different. The opening narration of Free Guy could easily be taken from a Deadpool movie, without a doubt.

My favourites were Comer and Keery. Comer gets to show off her range by playing two characters – her feisty and badass avatar and the very normal Millie – and she delivers on the action star front as well as the very relatable human front. I really liked Keery as her professional partner and conflicted tech nerd and I want to see him in more projects. Waititi throws his all into the douchey Antwan and his larger-than-life performance was pretty grating, but I imagine that’s the whole point. I also enjoyed Lil Rel Howery as Guy’s NPC friend Buddy and Utkarsh Ambudkar as Keys’ colleague Mouser.

Free Guy – which might make you think of films such as The Truman Show and Ready Player One – is littered with Easter eggs and cameos that certainly make a case for a second viewing. I loved a lot of the ideas and it is visually astounding, but I wanted the film to be amazing and it’s just quite good, which is a real bummer.

In cinemas now

Rating: 3.5 out of 5.

Killing Eve has well and truly lost its momentum

Killing Eve

After watching the season three finale of Killing Eve on Monday night, I came away feeling distinctly underwhelmed. The show has lost all momentum and forward propulsion and just seems to be trying to recapture the magic it had before.

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Spoiler Special: Star Wars: The Rise of Skywalker

If you’ve read my spoiler-free review for Star Wars: The Rise of Skywalker, you’ll know that I felt let down and disappointed by it. This was mostly down to the story decisions made by J.J. Abrams, so I wanted to do a spoiler special in which I could rant about my misgivings a little bit more.

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