Nomadland: Film Review


Nomadland has been on a winning streak ever since its debut at the Venice Film Festival and TIFF in September and it had been the Oscars frontrunner for months, so it was no surprise that it took home the Best Picture prize on Sunday.

The film stars Frances McDormand as Fern, a widow in her sixties who finds a new life on the road as a nomad, moving from place to place finding work in her van, after she loses her job and home as a result of the US Gypsum plant in Empire, Nevada shutting down in 2011, leaving the town to become abandoned. She travels around the American West picking up seasonal or casual work, befriending fellow nomads and learning about her new way of life.

Nomadland is a character study about a van-dweller in one year of her life – her seasonal job at Amazon over the Christmas holidays essentially serves as bookends of the story. Admittedly, there’s not a great deal in the way of plot, but that doesn’t matter because Chloe Zhao has crafted such a slow, moving, intimate and deeply human portrait of transient people that you can’t help but get invested in Fern and her fellow nomads. It opened my eyes to a completely different way of life and felt super realistic as if it was a documentary or structured reality piece.

Zhao wrote the screenplay based on journalist Jessica Bruder‘s 2017 non-fiction book Nomadland: Surviving America in the Twenty-First Century and spent weeks travelling around in a van meeting nomads, including some of those who Bruder interviewed for her book. She cast real-life van-dwellers Linda May, Swankie, and Bob Wells to play fictionalised versions of themselves in the movie, sticking to her tradition of hiring non-professional actors, and they help Fern; giving her advice on job opportunities, what campgrounds to use, and how to look after her van. It doesn’t seem like the nomads are “acting” or putting on a performance and they add the film’s realism and have a significant hand in making the movie as good as it is.

McDormand, who brought Bruder’s book to Zhao, immersed herself in the nomad community and blends in with the non-professionals so well. Fern always insists that she’s doing fine despite the cold, solitude, lack of work, or van repairs she needs to pay for, but you can tell she’s exhausted and still mourning the loss of her husband and her town and putting a brave face on it. She is forced to weather a lot without the comfort of a home to retreat to. McDormand can always be relied upon to bring her A-game and Nomadland is no exception, and I’m thrilled she won the Best Actress Oscar.

Outside of the non-professionals, there’s David Strathairn as Dave, a fellow nomad Fern befriends along the road and becomes a bigger presence in her life as the year progresses. I thought he gave a gentle and considered performance.

I was happy that Zhao won the Best Director Oscar – because she’s female but also because she’s a unique and exciting filmmaker – and that the movie took home three awards overall, but it’s a shame it didn’t win Best Cinematography because Joshua James Richards‘ work here is stunning. Just look at the still above! There’s so many beautiful shots of sunsets and desert landscapes, memorising tracking shots, and intimate close-ups of characters.

Nomadland wasn’t my favourite of the Best Picture nominees and was a bit too slow for my tastes but it definitely deserves a watch for the performances, the cinematography, and for the moving story it tells.

Streaming on Star on Disney+ on Friday 30th April and in cinemas on 17th May

Rating: 4 out of 5.

Isle of Dogs: Film Review

I’m pretty late to the Wes Anderson fan club, only joining it after The Grand Budapest Hotel (and then watching his older work), so I was fairly excited about his stop-motion animation Isle of Dogs, and I must admit, I liked it but I wasn’t blown away by it.

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My pictures from the 2018 BAFTAs

Timothee Chalamet

Last night, I had the privilege of attending the BAFTAs and I was on both the red carpet and in the winners’ press conference room, and you can see all the pictures I took below.

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Three Billboards Outside Ebbing, Missouri: Film Review

Three Billboards Outside Ebbing, Missouri (excuse the awful title) came top at the Golden Globes on Sunday and has scored nine BAFTA nominations today so you’re probably wondered what all the fuss is about, right? Well, see if it’s worth the hype in my review.

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Top Films for January

It’s not just the start of a new month this time – it’s also the start of a new year! For this special version of my monthly movie preview, I look at what’s due for release in the UK in January 2018.

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My top ten films from the BFI London Film Festival (LFF)

The London Film Festival is over for another year! I posted a lot of reviews from LFF over the past two weeks and it’s understandable if you missed some, so I’ve created a handy index with links to all my reviews, starting with my top 10!

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Three Billboards Outside Ebbing, Missouri: LFF Film Review 

I absolutely hate the title of Three Billboards Outside Ebbing, Missouri. It’s so long and sounds like such a dull film, so I went into the screening not expecting much – but it turned out to be one of my favourites of the whole festival.

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Hail, Caesar!: Film Review


I love movies based in the movie industry and I do love a good cast and Hail, Caesar! filled both criteria. I was still not 100% confident I would like it because I do not enjoy all the Coen brothers’ work, but I was still hoping for more than what it ultimately gave.

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