Possessor: LFF Film Review

Possessor

I had heard so much about Brandon Cronenberg‘s second feature Possessor that I figured it was worthwhile paying for a public LFF ticket to see it – and while I can appreciate many things about it, it wasn’t my cup of tea.

The film stars Andrea Riseborough as Tasya Vos, who is a possessor, a contract killer whose consciousness is implanted into another person’s body in order to carry out the assassination. Her boss Girder (Jennifer Jason Leigh) gives her her next job – she is to inhabit the body of Colin Tate (Christopher Abbott), who is dating Ava Parse (Tuppence Middleton), the daughter of John (Sean Bean), the head of a huge corporation, for which Colin works. However, Colin cannot be as easily controlled as some of her previous subjects.

Possessor is an incredibly unique film that will stick with you for hours afterwards. Cronenberg has come up with an effing cool idea and it was exciting watching it play out in all its intense, gruesome glory. This film is not for the faint-hearted – it is extremely graphic and violent, there’s plenty of nudity, and some body horror that truly grossed me out. There are also some weird and experimental visual flourishes to help illustrate some of the innner control struggles.

I also loved the initial set-up of the story and the introduction to Tasya and her dual lives – in the real world with her estranged husband Michael (Rossif Sutherland) and their son and this possessor world; the final scene of the movie; and the superb performances from Riseborough and Abbott, with Abbott particularly excelling in the latter half of his story.

However, there is a portion of the film that totally lost me. I didn’t truly understand what was going on and it felt quite chaotic and muddled as it made its approach to the climax. While I loved the closing scene and thought it was a great way to bookmark the story, I was left wanting more answers and some explanation of what the heck just happened. I would have also loved some more backstory about Tasya and the organisation she works for.

I liked Possessor and I certainly appreciate the imagination, the performances, and the cool concept, but I’m just not a big fan of body horror and the ambiguity of not knowing what’s real and what’s not. The story stopped being clear to me as it neared the end and that negated its impact somewhat.

Seen at part of the London Film Festival. In cinemas 27th November

Rating: 3.5 out of 5.

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